منابع مشابه
The Expression of the Divine Order Through the Art of Sculpture in the Greek Art Religion (According to Hegel’s Lectures on Fine Art and his Phenomenology of Spirit)
The art of Greek sculpture is the most complete and appropriate visual form of expression of the divine in the Greek art religion and similar types in the earlier and later religions. In Greek sculpture, form and content are in balance and interact with each other. The Spirit and the material have no dominion over one another. The spirit (divine) recognizes as its proper home the human body, an...
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The introduction of non-artistic materials and techniques in Cubism is not a complete invention, contrary to what the traditional historiography of this artistic movement would want to make us think. Contemporary do-it-yourself practices – amateur handicraft – with which Georges Braque and Pablo Picasso had been in contact while living in the workingclass neighborhood of Montmartre, have encour...
متن کاملWhen a Picasso is a "Picasso": the entry point in the identification of visual art.
We investigated whether art is distinguished from other real world objects in human cognition, in that art allows for a special memorial representation and identification based on artists' specific stylistic appearances. Testing art-experienced viewers, converging empirical evidence from three experiments, which have proved sensitive to addressing the question of initial object recognition, sug...
متن کاملthe aesthetic dimension of howard barkers art: a frankfurtian approach to scenes from an execution and no end of blame
رابطه ی میانِ هنر و شرایطِ اجتماعیِ زایش آن همواره در طولِ تاریخ دغدغه ی ذهنی و دل مشغولیِ اساسیِ منتقدان و نیز هنرمندان بوده است. از آنجا که هنر در قفس آهنیِ زندگیِ اجتماعی محبوس است، گسترش وابستگیِ آن با نهاد ها و اصولِ اجتماعی پیرامون، صرفِ نظر از هم سو بودن و یا غیرِ هم سو بودنِ آن نهاد ها، امری اجتناب ناپذیر به نظر می رسد. با این وجود پدیدار گشتنِ چنین مباحثِ حائز اهمییتی در میان منتقدین، با ظهورِ مکتب ما...
Journalism, Caricature and Satirical Drawings in Early Picasso (1891–1895): The Awakening of Pablo Ruiz’s Critical Consciousness
In Pablo Picasso’s formative period in A Coruña (1891–1895), where he was born as an artist, the child and pre-adolescent who at that time signed himself as Pablo Ruiz, already knowing he was a genius, pursued an intense programme of creative activity while devoting himself to drawing and painting. Making use of his facility for reproducing the world around him in images, he also proved to be a...
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ژورنال
عنوان ژورنال: ATHENS JOURNAL OF HUMANITIES & ARTS
سال: 2014
ISSN: 2241-7702
DOI: 10.30958/ajha.1-4-1